The best Side of girl and her cousin
The best Side of girl and her cousin
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“Magnolia” is many, many (many) things, but first and foremost it’s a movie about people who're fighting to live above their pain — a theme that not only runs through all nine parts of this story, but also bleeds through Paul Thomas Anderson’s career. There’s John C. Reilly as Officer Jim Kurring, who’s efficiently cast himself since the hero and narrator of the non-existent cop show in order to give voice into the things he can’t acknowledge. There’s Jimmy Gator, the dying game show host who’s haunted by every one of the ways he’s failed his daughter (he’s played because of the late Philip Baker Hall in one of several most affectingly human performances you’ll ever see).
It’s hard to explain “Until the End from the World,” Wim Wenders’ languid, considerably-flung futuristic road movie, without feeling like you’re leaving something out. It’s about a couple of drifters (luminous Solveig Dommartin and gruff William Harm) meeting and un-meeting while hopping from France to Germany to Russia to China to America within the run from factions of law enforcement and bounty hunter syndicates, nevertheless it’s also about an experimental technologies that allows people to transmit memories from one brain to another, and about a planet living in suspended animation while waiting to get a satellite to crash at an unknown place at an unknown time And perhaps cause a nuclear disaster. A good portion of it really is just about Australia.
A.’s snuff-film underground anticipates his Hollywood cautionary tale “Mulholland Drive.” Lynch plays with classic noir archetypes — namely, the manipulative femme fatale and her naive prey — throughout the film, bending, twisting, and turning them back onto themselves until the nature of id and free will themselves are called into problem.
Beneath the glassy surfaces of nearly every Todd Haynes’ movie lives a woman pressing against them, about to break out. Julianne Moore has played two of those: a suburban housewife chained for the social order of racially segregated nineteen fifties Connecticut in “Much from Heaven,” and as another psychically shackled housewife, this time in 1980s Southern California, in “Safe.”
The climactic hovercraft chase is up there mature porn with the ’90s best action setpieces, and the tip credits gag reel (which mines “Jackass”-level laughs from the stunt where Chan demolished his right leg) is still a jaw-dropping example of what Chan set himself through for our amusement. He wanted to entertain the entire planet, and after “Rumble inside the Bronx” there was no turning back. —DE
made LGBTQ movies safer hitbdsm for straight actors playing openly gay characters with intercourse lives. It may well have contributed to what would become a controversial continuing trend (playing gay for pay back and Oscar attention), but within the turn of your 21st century, it also amplified the struggles of the worthy, obscure literary talent. Don’t forget to examine up on how the rainbow became the image for LGBTQ pride.
‘Useless Boy Detectives’ stars tease queer awakenings, decided on family & the demon shenanigans to come
“Admit it isn’t all cool calculation with you – that you’ve received a heart – even if it’s small and feeble and you may’t remember the last time you used it,” Marcia Gay Harden’s femme fatale demands of protagonist Tom Reagan (Gabriel Byrne). And for all its steely violence, this film has a heart as well.
Nearly 30 years later, “Weird Days” is a hard watch because of the onscreen brutality against Black folks and women, and because through today’s cynical eyes we know such footage rarely enacts the improve desired. Even so, Bigelow’s alluring and visually arresting film continues to enrapture because it so perfectly captures the misplaced hope of its time. —RD
Allegiances within this unorthodox marital arrangement change and break with many of the palace intrigue of power seized, vengeance sought, and virtually no one being who they first look like.
Gus Van Sant’s gloriously sad road movie borrows from the worlds of writer asianporn John Rechy and beeg con even the director’s very own “Mala Noche” in sketching the humanity behind trick-turning, closeted street hustlers who share an ineffable spark while in the darkness. The film underscored the already evident talents of its two leads, River Phoenix and Keanu Reeves, while also giving us all many a cause to swoon over their indie heartthrob status.
Drifting around Vienna fang pleasuring action by sex appeal beauty over a single night — the pair meet over a train and must part ways come morning — Jesse and Celine have interaction within a series of free-flowing exchanges as they wander the city’s streets.
is full of beautiful shots, powerful performances, and Scorching sex scenes established in Korea while in the first half in the twentieth century.
” Meanwhile, pint-sized Natalie Portman sells us on her homicidal Lolita by playing Mathilda like a girl who’s so precocious that she belittles her possess grief. Danny Aiello is deeply endearing as being the aged school mafioso who looks after Léon, and Gary Oldman’s performance as drug-addicted DEA agent Norman Stansfield is so huge that you are able to actually see it from space. Who’s great in this movie? EEVVVVERRRRYYYOOOOONEEEEE!